Oh..! Sukumari (2026): Aishwarya Rajesh Anchors A Promising Premise That Loses Its Charge
Aishwarya Rajesh’s Damini can generate electricity through her touch, a quirk that should electrify every frame of this Telugu romantic comedy. Instead, Bharat Dharshan’s film settles for a familiar village romance template that never quite finds its voltage.
Aishwarya Rajesh’s Electric Presence Deserves a Sharper Script
Rajesh handles the unconventional role of Sukumari/Damini with commendable control, making the character’s unusual condition feel almost believable. She anchors the emotional portions of the romance, grounding a premise that could easily have tipped into absurdity.
Her best moments come in the quieter exchanges where her character’s longing for a happy family surfaces. The actress commits fully, but the writing around her rarely matches her investment.
Thiruveer’s Grounded Everyman Gets Lost in Repetition
Thiruveer carries the aspiring-politician angle with a straightforward, grounded performance that suits Yadagiri’s arc. He works best when reacting to relationship complications rather than attempting broad comedy, where his limitations show.
His journey from personal insecurity to commitment follows a path we’ve seen countless times before. The actor’s sincerity is never in question, but the script gives him little room to stretch beyond familiar beats.
The Inheritance Setup Is a Comic Gift the Film Squanders
The opening gambit involving rival cousins competing for a family reward tied to producing a baby boy is genuinely clever genre writing. This inheritance-reward setup creates a comic premise with real stakes, positioning Yadagiri’s romance within a pressure cooker of family expectation.
Srinivas Gavireddy’s screenplay introduces this conflict with clarity, and the rural framing supports the domestic tension nicely. The first half sets up the premise and relationship conflict with moderate pacing that suggests better things to come.
Then the reveal of Sukumari’s electric-touch condition arrives, and the film seems unsure what to do with its own invention. The later relationship-conflict passages fall into a familiar template, and the strongest idea remains largely unexplored as the narrative retreats to safe ground.
Supporting Cast Builds the Family Fabric but Can’t Rescue the Second Half
Muralidhar Goud adds father-figure weight to the family-conflict portions, supporting the reveal-driven structure with dependable gravitas. His presence gives the inheritance dispute a human face, even when the plotting turns mechanical.
Aamani functions as part of the intergenerational conflict layer, while Jhansi helps ground the domestic side of the plot. Srinivas Gavireddy contributes to the comic and situational texture, his writing-linked support helping carry the rural-family setup through its slower stretches.
A Familiar Second Half Dims an Original Spark
The second half reportedly slows in impact as the story moves into conflict resolution that feels borrowed from a dozen earlier Telugu romances. Pacing and emotional escalation turn uneven, and the film never generates enough spark to stand out from its peers.
Audience ratings reflect this disappointment, with the IMDb score settling at 5.1. The theatrical run was described as underwhelming, with gross in the roughly Rs 2.27 crore to Rs 2.64 crore range, a figure that suggests word of mouth never caught fire.
One critic noted that “despite an original hook and committed performances, Oh Sukumari never finds the spark needed to rise above its familiar storytelling.” I would add that the premise deserved a bolder director willing to trust its strangeness. The storyline of a woman with a quirky condition longing for a happy family while her man learns to look beyond petty insecurities is solid on paper, but execution falters where it matters most.
Fans of Telugu rural romantic comedies and followers of Thiruveer and Aishwarya Rajesh may find enough warmth here to pass an evening. Those expecting the screenplay to match the originality of its central hook will leave disappointed.
Browse more Telugu Drama reviews for fresher takes on the genre.
Oh..! Sukumari is best saved for a lazy OTT watch when you want undemanding family drama with committed leads. The chemistry between Thiruveer and Rajesh carries genuine warmth, but the film around them never quite catches fire.
For a romance that actually understands its own premise, this one settles for a predictable 2.5 out of 5, a spark that flickers but never truly ignites.
See how Anbe Diana review handles similar relationship dynamics with more consistent energy.
Thiruveer’s grounded sincerity here contrasts sharply with the more theatrical registers explored in Arjunan Per verdict.
Ankit Jaiswal is the Chief Author, covering Indian cinema and OTT releases with honest, no-filler criticism. An SEO strategist by background, he brings a research-driven approach to film writing, cutting through hype to tell you exactly what's worth your time.